Film & photography

Shooting it, cutting it, grading it, and animating what could not be shot.

Videography

Shooting with the edit already in mind, because the coverage decided on the day is what an editor is left with for the rest of the project. One person on set who also cuts it is a different kind of crew.

Video editing

The cut is where a film is actually written. Pacing, structure, and the discipline to lose good material that is doing nothing for the piece.

Animation

For everything that could not be shot: motion graphics, titles, explanatory sequences, and movement built frame by frame where a camera was never an option.

Photography

Stills that match the rest of the identity rather than fighting it — product, portrait, and the unglamorous catalogue work that most brands actually need more of.

Why one studio can carry all of this is in What we do.